Unfavorable
incidents, religion or culture of India influencing young minds formed the
concept of Rakeysh Omprakash Mehra’s Rang De Basanti, where the British
girl says, “India se pehli nazar me hi pyaar ho jaata hain” (You fall in
love with India at its first sight). From the same production house came Kai
Po Che where director Abhishek Kapoor, after an uber cool Rock On,
portrays a similar, in fact more rustic, India for us.
Mehra’s India
was the urban capital of our country with a bigger picture of friendship;
Kapoor takes us to a more relatable one in a smaller town of Ahemdabad as
created by Chetan Bhagat in his novel The 3 Mistakes of My Life of
which this film is an adaptation. Bhagat, who is constantly criticized by
lit-geeks, is no less than an icon for pop culture of this country; a reason that
makes Bollywood directors find their script material in all his books.
Set at the dawn
of millennium when malls were ready to boom in every city, dreams were growing
bigger, as in this film a new journey for young Ali began… from goti to
cricket. Early 2000s were meant to bring change, risking everything. It was a
great tussle between aspirations v/s reality. And that’s what is fused into the
conflicting emotions of the lead characters of this film: Ishaan’s dream of
tutoring sports selflessly against Omi being drawn back to work for right-wing
Hindu party or Govind’s muddling “mathematics”; choice between a rugged shop
near temple ground or a stinky one in the mall or a ‘new millennium
sophisticated’ one with glass windows and a three seater couch to watch cricket
matches giving complete feel of a stadium.
These could be
any three friends from a small town whose emotional bonding is much more like
brotherhood than a typical friendship as palpable from the way they talk and
enjoy their moments- whether jumping into water or reuniting after a tiff while
celebrating India’s cricket victory. And each of these moments are filled with
magical melodies of Amit Trivedi to uplift your spirit, making you a part of
them.
(Spoiler alert)
In a
metaphorical scene during the end of the film that explains the film, we see
Omi and Govind meet at a cricket stadium, to see Ali playing his debut
international match, in a room recreated exactly as Ishaan had dreamt of their
sports store. And, it’s very disturbing to see only two cushions kept on the
three seats now. This arc was initiated back when Ishaan and Ali together beat
Omi and Govind in a kite-flying competition during the uttarayan
festival to resonate their tonsils yelling “Kai Po Che!”
(Spoiler over)
Their
stories may belong to a microcosmic dreamy world but are largely affected by
the natural or political catastrophes that took place in early 2000s Gujarat
that may worry you, comfortably. And, you would identify them saying, “Yes,
they could be one of us.”
Kai
Po Che is about dreaming
and realizing, dreams that exist in real India, a fictional yet possible story
coming out of the real India.
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