Music: Shashi Suman, Shivam Pathak
Lyrics: Prasahnt Ingole, Sandeep Singh
Rating: ***
Mary Kom, starring Priyanka Chopra, is a biographical film
on the Indian woman boxing champion Mary Kom. Shashi Suman debuts as a music
composer with this film in Bollywood.
1. Ziddi Dil
The sonorous and serene vocals
from the mountains clears the air for thumping strings to start along with
Vishal Dadlani on a hook. Though, with good arrangements as needed, it rises
for a short while somewhere in the between, the track overall sounds very
repetitive.
2. Sukoon Mila
Arijit Singh sounds routinely ordinary
in this one. It is the feel-good and breezy tune that does the magic here.
There’s a female version of this one in waiting, maybe with Shreya Ghoshal in
it?
3. Adhure
My favorite song from this album. The pahadi folksy voice (in the start and in
the background ahead) is hauntingly gorgeous enough to give you goosebumps. Its
rustiness is complimented with rich contrast by Sunidhi Cahuhan’s mellowed down
tone and minimal strings-led arrangement, and Suman succeeds in making it sound
as an organic development of the song.
4. Teri Baari
Teri Baari wins where Ziddi Dil couldn’t. The feel and emotion of both is
same… racy and inspiring. It is Mohit Chauhan’s vocals that make the overall
composition so layered despite being repetitive.
5. Saudebaazi
Arijit Singh’s second song in the album is again in his comfort-zone, in fact more so. Suman experiments beautifully with the arrangements by including mouth-organ (or is it accordion?) to make it peppier, but doesn’t impress with the tune.
Arijit Singh’s second song in the album is again in his comfort-zone, in fact more so. Suman experiments beautifully with the arrangements by including mouth-organ (or is it accordion?) to make it peppier, but doesn’t impress with the tune.
6. Salaam
India
Salaam India is another sporty number of the soundtrack, but it doesn’t just pile up on to the list. It is really an inspiring fusion of heavy guitars and flute, tabla, sarangi with Vishal Dadlani and Salim Merchant taking it higher with their high pitchs.
Salaam India is another sporty number of the soundtrack, but it doesn’t just pile up on to the list. It is really an inspiring fusion of heavy guitars and flute, tabla, sarangi with Vishal Dadlani and Salim Merchant taking it higher with their high pitchs.
7. Chaoro (Lori)
Priyanka Chopra goes behind the microphone again to render a folk lullaby of the mountains and sounds unbelievably good. You only wish this one could have been a little longer.
Priyanka Chopra goes behind the microphone again to render a folk lullaby of the mountains and sounds unbelievably good. You only wish this one could have been a little longer.
With
none of the song crossing even the 5 minute mark, the
soundtrack is short and distinctive; and bonus points for no
pointless and noisy remixes. If this soundtrack is something to go by, then I’m
really looking forward to the movie. And with such highly original music, the debutant composers are here to stay!
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