“NH7 stuff”
Music: Sanjeev Darshan/ Bann
Chakraborty/ Ayush Shrestha, Savera Mehta/ Samira Koppikar
Lyrics: Kumaar/ Bann Chakraborty & Abhiruchi Chand/
Manoj Tapadia/ Neeraj Rajawat/ Varun Grover
Ratings: ***
1. Chhil Gaye Naina
Chhil Gaye Naina’s title hook is
tiring and tepid despite of all its energy. Repetitive and short, the track
tries to redeem in Dipanshu Pandit’s part in the antara. Kanika Kapoor, whom we
have heard only in item numbers, is an interesting choice to lead such song.
2. Le Chal Mujhe (Male & Female)
Le Chal Mujhe is essentially a blues
track, with splendid laidback arrangement, of which the Female version, by
Shipa Rao, supersedes Mohit Chauhan’s Male version by measures. Rao’s voice
flows along and rides on the wavy tune to sway you off completely, while
Chauhan in his version is completely disconcerting the track’s softness. And it
is the composer (Chakraborty) to be blamed for that.
3. Main Jo
Main Jo sounds like a Mickey McCleary
song in its arrangement, mildly saccharine and sedative with those country-like
guitars, mouth-organ and saxophone. Debutante Nayantara Bhatkal’s husky voice
goes well with the song, and the co-composer Savera Mehta makes a Mithoon’ish
cameo.
4. Khoney De
Khoney De is a jazzy variant of Le
Chal Mujhe in which Mohit Chauhan is again hard on vocals and Neeti Mohan sails
though smoothly.
Its instrumental version works because
of its haunting tune on the jazzy template.
5. Maati Ka Palang
Maati Ka Palang is a fusion of folk and
rock, though not that neat, that defines the indie-spirit of this album. Samira
Koppikar’s voice texture- edgy and rustic- is a great suit for such songs, but
you need more than just texture to overpower or even blend through a song that
has sitar and guitar fused together with drums.
6. Kya Karein
Rachel Varghese’s shivering and
quivering vocals in Kya Karein is perhaps to portray the voice of an assaulted
victim. It’s the immersive violins that ooze the required emotions for this
song.
7. Le Chal Mujhe (Reprise)
Arijit corrects everything that had
been done wrong by Mohit Chauhan in the male version of this hauntingly
beautiful composition. Though the mellowed down reprise arrangement works in
favour for him, he does nuanced variations that completely makes this song his
own.
Of 4 composers, Bann Chakraborty
composed only one piece which he churned out as 5 tracks in this 9 track album.
It is great to see Bollywood turning to indie artists for soundtracks and they
deliver with the same spirit as they do it for NH7 gigs!
No comments:
Post a Comment